My Lumen Studio · Powered by Lumen

Your producer

Lumen runs the session.

Headphones on, mic in front of you, hands nowhere near a keyboard. You should not have to walk back out to the desk to punch yourself in. Say it the way you would say it to an engineer on the other side of the glass, and it is done before you have taken a breath.

In the boothLumen on the desk

Run it back four bars.

Playhead moves back four bars, the track arms, record rolls.

Punch me in on the second verse.

Punch point set at verse 2, with pre-roll running in before it.

Keep that, but let me try again.

Take saved into its folder, a fresh lane armed for the next pass.

Take the beat out and solo me.

Instrumental muted, lead vocal soloed, everything else down.

Loop it while I write.

Instrumental loops on its own, recording stays off.

That's the one.

Take marked as the keeper and comped into the track.

She lives at the bottom of the desk

Nestled in her own place at the bottom centre of every session. Tap the orb and she is in the room with you. One Lumen, in one place, on every screen.

She answers to her name

While the tape is rolling she responds only when you call her, so nothing you sing can move the session by accident. Say the word and she is listening again.

Teach her how you talk

She already knows a few hundred ways of asking for these things. Anything you say that she misses, you teach her once: your words on the left, what you meant on the right.

The multitrack desk

Record everything at once. Keep the best of it.

Every input you have going, each landing on its own track. Record over a take and the passes gather into one folder, so you can swipe through and keep the best line from each pass without losing a single one.

Every input recorded at once, one track each
Takes gather into folders, swipe to comp the keeper
Drag regions with BPM snap, split, join, crossfade
Tempo and key read on-device, so the grid is right from the first bar

Take folderVerse 1 · 4 passes

Take 1

Take 2

Take 3

kept 0:00 to 0:11

Take 4

kept 0:11 to end

Comp

Verse 1 · comped

Words, hooks and beats

The blank page never stays blank.

A rhyme engine that actually knows what you are reaching for, hooks to build on, and beats to write over. The writing side of the studio sits right next to the recording side, so the idea does not have to survive a trip between two apps.

Rhymes, near-rhymes and multis, in the key of what you already wrote
Hooks you can shape and drop straight onto a track
Beats to write over, matched to tempo and key
Lumen sitting alongside, so you can just ask

Rhymes88 BPM

Still up at four with the ceiling fan
Turning over every plan I had

Rhymes with "plan I had"

man I havehand I hadran it back stand and laughdamage thatcan it last land in halfanagram

From your notes

🎤

Hook idea, Tuesday"turning over" · same pocket

Use

🥁

88bpm_FminMatches your key

Load

HomeStudioBeatsHooksRhymes

The rack

A proper chain on every track.

EQ, compression, reverb and delay on any track and any bus, with buses that carry racks of their own. Start from a preset built for the job, then move what you want to move.

Plugin rack per track and per bus, with a master bus at the end
Presets built for the job: rap vocal, sung hook, ad-lib throw
Sends into buses, routed wherever you point them
Recording templates, so the next session starts already set up

Lead vocalRap vocal preset

Channel EQhigh-pass 90Hz

LOW

MID

AIR

Compressor4:1 · -6.2 dB

THRESH

RATIO

ATTACK

MAKEUP

Reverbsend to Bus 1 · plate

Delaybypassed

Master and export

Finish it, and leave with the file.

Master to streaming loudness without guessing at it, then export exactly what you need: the whole mix, a handful of tracks, one region, or every stem. The session travels as a single bundle, so nothing gets left behind.

Master to −14 LUFS, metered as it goes
Export the mix, chosen tracks, a region, or full stems
Stem splitter to pull a reference apart
Session bundles: one file holds the whole session

MasterStreaming target

−14.0LUFS integratedOn target

Export

🎚️

Full mixWAV 24-bit · 48 kHz

🧩

Stems5 tracks · separate files

📦

Session bundleOne file, the whole session

Save

HomeStudioBeatsHooksMaster

Everything in the rack

Built to work the way an engineer already works, and to make sense to anyone who has never opened a DAW.

Multitrack desk

Drag regions with BPM snap. Split, join, crossfade, comp.

Record every input

All your inputs at once, each on its own track.

Mixer and buses

Track heads, sends, buses with racks of their own.

Rack presets

Rap vocal, sung hook, ad-lib throw. Start somewhere real.

Beats and hooks

Something to write over, matched to your tempo and key.

Rhyme engine

Rhymes, near-rhymes and multis, in the pocket you are already in.

Tempo and key

Read on-device, so the grid is right before you hit record.

Master to −14 LUFS

Streaming loudness, metered, without guessing at it.

Stem splitter

Pull a reference apart and hear what is actually in it.

Session bundles

One file holds the whole session. Nothing gets left behind.

Two keysets

Studio for the shortcuts already in your fingers. Simple for everyone else.

Lumen, your producer

She runs the desk from the booth. Arm, roll, punch, comp, play it back.

The pointer is not one thing.

Press a number and the same click means something different. The tools engineers reach for, on a keyboard or a screen.

1Pointer

2Pencil

3Eraser

4Text

5Scissors

6Glue

7Solo

8Mute

9Zoom

□Marquee

Studio keyset

The conventions engineers already have in their fingers. Nothing to relearn, nothing moved for the sake of it.

Simple keyset

For anyone who has never opened a DAW. Fewer commands, all of them obvious, and you can switch the moment you outgrow it.

Every command in one place

Press ? anywhere and the full list is there, matched to whichever keyset you picked.

A real studio.
In your pocket.